“The Nashville Sound” by Jason Isbell and the 400 Unit – An Album Review

Related image

Back when I first started writing here, I mentioned offhand that while my main focus would be political, I’d occasionally find time to write about music or movies or the like. Now, I’m not much of a movie guy, to be totally honest, but I do like listening to different kinds of music, and there have been plenty of albums in 2017 that I’d have loved to talk about. I plan to have mid-year and end of year explorations of some of these albums, but before then, it’d be weird if I didn’t have at least one standalone album review under my belt. So, on that self-critical note, let’s talk about Jason Isbell.

For the uninitiated, it’s important to note that Jason Isbell is an artist that straddles two different genres. He’s mostly known today for country music, but he got his start as a member of The Drive-By Truckers, legends in the Southern rock genre. Since leaving that band in 2007, he’s slowly grown in stature in the independent country scene, but still commands significant rock credibility as well – his last album Something More Than Free topped Billboard Magazine’s album charts for both rock and country albums.

And to get my own opinion out here, Isbell deserves all of the success and critical acclaim he’s gotten and then some. Not only is he a powerfully evocative songwriter, but his instrumental prowess probably goes underappreciated on his more recent (and more country-inflected) releases. Some of the compositions on Something More Than Free approached being a blend of Americana and progressive rock, and the result was my third favorite album of 2015, even better than To Pimp a Butterfly, if you’ll believe it. And so here we are with another album from Isbell and his band The 400 Unit. Like his last two, it’s produced by Dave Cobb, a bonafide superstar in the world of country producers. Naturally, I had extremely high expectations for this project, both because of Isbell’s previous work and the song I heard in advance of its release, the harrowing If We Were Vampires. So enough stalling – did Jason Isbell make magic again?

Continue reading ““The Nashville Sound” by Jason Isbell and the 400 Unit – An Album Review”